
All American Made
America, in Margo Price’s country music, is not majestic, sprawling, or inviting. It’s broken. It’s oppressive. It’s stolen.
Her second album, All American Made, plays out like a realist, modern Western film, offering a stark survey of a country whose “cowboys” are city-dwelling music industry vampires; whose farms are bankrupt and acquired by corporate overlords; whose citizens are treated like dirt because of their gender.
—
Pitchfork
| LPs | 1 |
| Color | Black |
| Weight | 140g |
Original: $25.00
-65%$25.00
$8.75More Images


All American Made
America, in Margo Price’s country music, is not majestic, sprawling, or inviting. It’s broken. It’s oppressive. It’s stolen.
Her second album, All American Made, plays out like a realist, modern Western film, offering a stark survey of a country whose “cowboys” are city-dwelling music industry vampires; whose farms are bankrupt and acquired by corporate overlords; whose citizens are treated like dirt because of their gender.
—
Pitchfork
| LPs | 1 |
| Color | Black |
| Weight | 140g |
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Description
America, in Margo Price’s country music, is not majestic, sprawling, or inviting. It’s broken. It’s oppressive. It’s stolen.
Her second album, All American Made, plays out like a realist, modern Western film, offering a stark survey of a country whose “cowboys” are city-dwelling music industry vampires; whose farms are bankrupt and acquired by corporate overlords; whose citizens are treated like dirt because of their gender.
—
Pitchfork
| LPs | 1 |
| Color | Black |
| Weight | 140g |
























