Fools
One of the key ingredients of Wild Child’s third album, Fools, the intertwining voices of lead singers Kelsey Wilson and Alexander Beggins, is a consistent part of what keeps the album, and the band strong.
Their voices complement each other; Beggins providing a steady counterpart to Wilson’s much more playful and adventurous voice. Evan Magers comes in on keyboard during songs that had a strong focus on the piano, Sadie Wolfe provides the cello offering a somber yet sweet tone, D’Annunzio on bass and Drew Brunetti on drums start the album off strong in the song "Fools" with a grooving bass and drum line, and Matt Bradshaw adds in on solos and countermelodies.
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Omni Sound Magazine
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Fools
One of the key ingredients of Wild Child’s third album, Fools, the intertwining voices of lead singers Kelsey Wilson and Alexander Beggins, is a consistent part of what keeps the album, and the band strong.
Their voices complement each other; Beggins providing a steady counterpart to Wilson’s much more playful and adventurous voice. Evan Magers comes in on keyboard during songs that had a strong focus on the piano, Sadie Wolfe provides the cello offering a somber yet sweet tone, D’Annunzio on bass and Drew Brunetti on drums start the album off strong in the song "Fools" with a grooving bass and drum line, and Matt Bradshaw adds in on solos and countermelodies.
—
Omni Sound Magazine
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Description
One of the key ingredients of Wild Child’s third album, Fools, the intertwining voices of lead singers Kelsey Wilson and Alexander Beggins, is a consistent part of what keeps the album, and the band strong.
Their voices complement each other; Beggins providing a steady counterpart to Wilson’s much more playful and adventurous voice. Evan Magers comes in on keyboard during songs that had a strong focus on the piano, Sadie Wolfe provides the cello offering a somber yet sweet tone, D’Annunzio on bass and Drew Brunetti on drums start the album off strong in the song "Fools" with a grooving bass and drum line, and Matt Bradshaw adds in on solos and countermelodies.
—
Omni Sound Magazine
