
SOUR
Four months after ādrivers license,ā popās newest star offers a nimble and lightly chaotic collection of breakup tunes filled with melancholy and mischief.
The matter of failed romance is central to Sour, a nimble and lightly chaotic grab bag of breakup tunes, filled with both melancholy and mischief. Rodrigoās first trick: Seconds into the lugubrious strings that open the record, she and her producer, Dan Nigro, abruptly switch to grunge guitar and distortion. Abandoning both the gossamer falsetto and the emotive belt that power ādrivers license,ā Rodrigo adopts a wry sprechstimme on ābrutalā to rattle off her grievances: self-doubt, impossible expectations, her inability to parallel park. āWhereās my fucking teenage dream?ā she snarls, wisecracking about the way pop culture romanticizes youth. Itās not particularly elegantāitās not meant to be. Bucking expectations about the kind of sounds she might gravitate toward? Thatās just part of the fun.
ā
Pitchfork
Olivia Rodrigo - SOUR Album Review (7.0)
*This is the 'standard version' of the album and does not contain clean versions of the songs.
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SOUR
Four months after ādrivers license,ā popās newest star offers a nimble and lightly chaotic collection of breakup tunes filled with melancholy and mischief.
The matter of failed romance is central to Sour, a nimble and lightly chaotic grab bag of breakup tunes, filled with both melancholy and mischief. Rodrigoās first trick: Seconds into the lugubrious strings that open the record, she and her producer, Dan Nigro, abruptly switch to grunge guitar and distortion. Abandoning both the gossamer falsetto and the emotive belt that power ādrivers license,ā Rodrigo adopts a wry sprechstimme on ābrutalā to rattle off her grievances: self-doubt, impossible expectations, her inability to parallel park. āWhereās my fucking teenage dream?ā she snarls, wisecracking about the way pop culture romanticizes youth. Itās not particularly elegantāitās not meant to be. Bucking expectations about the kind of sounds she might gravitate toward? Thatās just part of the fun.
ā
Pitchfork
Olivia Rodrigo - SOUR Album Review (7.0)
*This is the 'standard version' of the album and does not contain clean versions of the songs.
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Four months after ādrivers license,ā popās newest star offers a nimble and lightly chaotic collection of breakup tunes filled with melancholy and mischief.
The matter of failed romance is central to Sour, a nimble and lightly chaotic grab bag of breakup tunes, filled with both melancholy and mischief. Rodrigoās first trick: Seconds into the lugubrious strings that open the record, she and her producer, Dan Nigro, abruptly switch to grunge guitar and distortion. Abandoning both the gossamer falsetto and the emotive belt that power ādrivers license,ā Rodrigo adopts a wry sprechstimme on ābrutalā to rattle off her grievances: self-doubt, impossible expectations, her inability to parallel park. āWhereās my fucking teenage dream?ā she snarls, wisecracking about the way pop culture romanticizes youth. Itās not particularly elegantāitās not meant to be. Bucking expectations about the kind of sounds she might gravitate toward? Thatās just part of the fun.
ā
Pitchfork
Olivia Rodrigo - SOUR Album Review (7.0)






















