Good Thing
If Coming Home was a remittance of dues, then, Bridges’ sophomore album, Good Thing, is a widening of horizons.
His music remains broadly “retro” with a veil of analog fuzz built into the tracks, horn licks and references to the American South, and those buttery, laid-back vocal runs that drew a line from Bridges to his idol in the first place. But his temporal fixation has loosened, making room for a more elastic, eclectic approach to songwriting that feels perfectly contemporary.
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Pitchfork
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Good Thing
If Coming Home was a remittance of dues, then, Bridges’ sophomore album, Good Thing, is a widening of horizons.
His music remains broadly “retro” with a veil of analog fuzz built into the tracks, horn licks and references to the American South, and those buttery, laid-back vocal runs that drew a line from Bridges to his idol in the first place. But his temporal fixation has loosened, making room for a more elastic, eclectic approach to songwriting that feels perfectly contemporary.
—
Pitchfork
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If Coming Home was a remittance of dues, then, Bridges’ sophomore album, Good Thing, is a widening of horizons.
His music remains broadly “retro” with a veil of analog fuzz built into the tracks, horn licks and references to the American South, and those buttery, laid-back vocal runs that drew a line from Bridges to his idol in the first place. But his temporal fixation has loosened, making room for a more elastic, eclectic approach to songwriting that feels perfectly contemporary.
—
Pitchfork
