Carnage
Nick Cave’s cinematic work with his bandmate Warren Ellis is a slight departure from last decade’s trilogy of albums. It’s defined by its stark contrasts, at turns brutal, surreal, and romantic.
Cave has always been attuned to the power of artifice and character, but here, more than ever, he is acting as much as singing. When he’s not delivering outright spoken monologues, he’s sticking to handfuls of close-by notes, relying on inflections of speech rather than melody for expressiveness.Â
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Pitchfork
Nick Cave / Warren Ellis - Carnage Review
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Carnage
Nick Cave’s cinematic work with his bandmate Warren Ellis is a slight departure from last decade’s trilogy of albums. It’s defined by its stark contrasts, at turns brutal, surreal, and romantic.
Cave has always been attuned to the power of artifice and character, but here, more than ever, he is acting as much as singing. When he’s not delivering outright spoken monologues, he’s sticking to handfuls of close-by notes, relying on inflections of speech rather than melody for expressiveness.Â
—
Pitchfork
Nick Cave / Warren Ellis - Carnage Review
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Nick Cave’s cinematic work with his bandmate Warren Ellis is a slight departure from last decade’s trilogy of albums. It’s defined by its stark contrasts, at turns brutal, surreal, and romantic.
Cave has always been attuned to the power of artifice and character, but here, more than ever, he is acting as much as singing. When he’s not delivering outright spoken monologues, he’s sticking to handfuls of close-by notes, relying on inflections of speech rather than melody for expressiveness.Â
—
Pitchfork
Nick Cave / Warren Ellis - Carnage Review
